Young men grown old, now dead, parade
Across the hotel TV screen,
Throwing footballs, catching footballs,
Bellowing at their opponents,
Celebrating with their teammates,
Gesticulating to their fans
To roar louder, to exhort them,
But not to beg them to survive.
Under each clip, whether grainy
Duplicate of old film footage
Or garish wash of video,
Run the tombstone years, birth dash death.
Enough of these, it dawns on me,
Though they were not true warriors,
To put it euphemistically,
Came quickly to grave nonetheless.
They died to their sport, then their fame,
Then their ability to move,
And at last, young to the world,
Ghosts to their own names, they left.
Tuesday, January 31, 2012
Monday, January 30, 2012
Our Time Is Up
Down around Castle Valley we have
Our share of the wild and the feral:
Skunks, deer mice, pinyon mice, scorpions,
Black widows, coyotes, and foxes;
Ravens, turkeys, mourning doves, magpies;
Early summer plagues of grasshoppers,
Interlocking colonies of ants,
The weird scream of a mountain lion
One cold night, floating down from the Rim,
All sorts of creatures that frighten us,
Annoy us, delight us, disgust us,
Uncontrolled or uncontrollable.
None of them seem stranger, in context,
Than any of our domesticates--
Cows, goats, horses, peacocks, dogs and cats--
Except for the grazing herds of deer
Wandering the valley by the dozens,
Big, scruffy, insolent and mule-eared.
They're wrong, somehow, for any context,
Bred placid from decades without wolves,
More numerous than the goats and cows,
Big as mares, pestiferous as mice,
They crowd the road's shoulder, fill the fields,
Look almost beautiful in half light,
Prick their ears at the hunger of life,
Pack shadows into silver moonlight,
Startle me with hooved thunder at night
Our share of the wild and the feral:
Skunks, deer mice, pinyon mice, scorpions,
Black widows, coyotes, and foxes;
Ravens, turkeys, mourning doves, magpies;
Early summer plagues of grasshoppers,
Interlocking colonies of ants,
The weird scream of a mountain lion
One cold night, floating down from the Rim,
All sorts of creatures that frighten us,
Annoy us, delight us, disgust us,
Uncontrolled or uncontrollable.
None of them seem stranger, in context,
Than any of our domesticates--
Cows, goats, horses, peacocks, dogs and cats--
Except for the grazing herds of deer
Wandering the valley by the dozens,
Big, scruffy, insolent and mule-eared.
They're wrong, somehow, for any context,
Bred placid from decades without wolves,
More numerous than the goats and cows,
Big as mares, pestiferous as mice,
They crowd the road's shoulder, fill the fields,
Look almost beautiful in half light,
Prick their ears at the hunger of life,
Pack shadows into silver moonlight,
Startle me with hooved thunder at night
Sunday, January 29, 2012
Leave Me the World to Bustle In
"he is not capable of bustling, he hobbles.... he casts away his cane and immediately lurches forward, falling flat on his face"
"bustle (1) 'be active,'mid-14c., frequentative of M.E.,bresten 'to rush, break, from O.E. bersten (see burst)"
Insert your own personal anecdote
Of physical disability here. (Yes,
Norm, a story of a friend or relative
Will do.) One: was King Richard
The Third a moral villain because
Of his physical defect? Or, was
He a defect because of his twisted
Soul? Two: was the young William
Shakespeare an astute toady
Of the Tudor monarchy, casting
An hereditary enemy of Elizabeth
As a monstrous, hump-backed
Toad? Or, was he an artist trapped
In a nascent police state, wriggling
His way to free, remunerative
Expression on the hillocky back
Of his Plantagenet marionette?
Three, does it matter whether real
King Richard was able-bodied and
Or good, albeit ill-served by history?
Four: answer every possible,
Previous question in both
The affirmative and negative, as
You wish. Leave me the world.
"bustle (1) 'be active,'mid-14c., frequentative of M.E.,bresten 'to rush, break, from O.E. bersten (see burst)"
Insert your own personal anecdote
Of physical disability here. (Yes,
Norm, a story of a friend or relative
Will do.) One: was King Richard
The Third a moral villain because
Of his physical defect? Or, was
He a defect because of his twisted
Soul? Two: was the young William
Shakespeare an astute toady
Of the Tudor monarchy, casting
An hereditary enemy of Elizabeth
As a monstrous, hump-backed
Toad? Or, was he an artist trapped
In a nascent police state, wriggling
His way to free, remunerative
Expression on the hillocky back
Of his Plantagenet marionette?
Three, does it matter whether real
King Richard was able-bodied and
Or good, albeit ill-served by history?
Four: answer every possible,
Previous question in both
The affirmative and negative, as
You wish. Leave me the world.
Saturday, January 28, 2012
Pavanne for a Small Breakdown
Wisdom is a drop of oil
Spread on the churning ocean.
It soothes the local turmoil
An instant, then it's broken,
Ripped open by currents coiled
In the deep and unspoken
World of hunger, wisdom's foil.
Spread on the churning ocean.
It soothes the local turmoil
An instant, then it's broken,
Ripped open by currents coiled
In the deep and unspoken
World of hunger, wisdom's foil.
Friday, January 27, 2012
Moonlight Is Sunlight
Edward Day Pheeks, who signed himself E. Day
And went by Day, couldn't get around
How everything was always leaving him
In exactly the act of arriving,
How so many things managed to come back
To haunt him, when nothing remained the same,
How the light on the river was the green light
On the river yesterday, an old green
He knew from day after day, and a new
And blue now that let him know green was gone.
And went by Day, couldn't get around
How everything was always leaving him
In exactly the act of arriving,
How so many things managed to come back
To haunt him, when nothing remained the same,
How the light on the river was the green light
On the river yesterday, an old green
He knew from day after day, and a new
And blue now that let him know green was gone.
Thursday, January 26, 2012
Big Blank Book Made of Paper
A why never moves.
Even when you think
You've answered one,
Look closely. All you've done
Is shifted a new how.
Even when you think
You've answered one,
Look closely. All you've done
Is shifted a new how.
Wednesday, January 25, 2012
Lying as Metaphor
For telling the truth
For laying it all out
For not standing for this anymore
For loving
For the little death
For delivery
For fiction
For gossip
For drama
For language
For being human
For believing
For in the beginning was Word
And Word was God
For a metaphor
For laying it all out
For not standing for this anymore
For loving
For the little death
For delivery
For fiction
For gossip
For drama
For language
For being human
For believing
For in the beginning was Word
And Word was God
For a metaphor
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